The Oldsmobile Toronado tried time and time again to break the molds of what it meant to be the most premium offering in the middle of the General Motors Hierarchy. Where it initially channeled the elegant grand touring ethos of the Cord 810 upon introduction, it became an off the rack designer clone of the Cadillac Eldorado for its 2nd Generation. That tradition continued through its 3rd Generation as well.
As the automotive landscape changed and the definition of personal luxury shifted once again, it seemed the original thesis statement of the Toronado seemed relevant once again. Up against more budget constraints, the 4th Generation Toro found itself a compromised return to its roots.
Continue reading “(Found In) West End (Alameda, California): 1992 Oldsmobile (Toronado) Trofeo”
The Oldsmobile Ninety Eight once sat in a rarefied holy trinity at the temple of General Motors opulence. The eldest and the most modest of the trio between the most Senior Buick, the now Electra 225, and the myriad of Cadillac DeVilles and Fleetwoods, the Ninety Eight negotiated for the least of your finances for the most security and the most sensible set of luxury trappings for your dollar.
As Oldsmobile rose to their zenith in the 1970’s, it started to do so by playing musicial chairs with the various marketing images that made for being the toast of the town image that it had fostered since the 1950’s. The Olds-multiplicity of the brand had been a constant mix of practicality, performance and posh since the end of World War II. For the Elegant Ninety Eights there were the Superlative Super 88’s. For the practical F-85 there was the swashbuckling Cutlass. For the sword of intermediates, a crowned princess Supreme started an ascent to the top of the charts like Diana, Mary and Florence starting in 1966.
Out of the Japanese brands that landed in the American Market during the 1950’s and 1960’s, Toyota learned the quickest how to adapt to the foreign to them trends that set the Jones’s hearts alight. One trend realized was the splintering of the American Market, as the generation of Boomers headed to dealerships, they weren’t happy with one-size fits all motoring in escalating finery that had dominated the automotive landscape from The Great Depression through the Fabulous Fifties.
By 1966, the performance brigade of big bruisers were rapidly losing ground to intermediate muscle machines and pony cars. Oldsmobile would send the Starfire into orbit one last time. The Impala SS started its rapid descent from its peak.
One thing that General Motors mastered to gain the meat of the US market share was planned obsolescence. GM tricked buyers better than any other corporate behemoth on the wonders of superficial change to convince them that the purchase they just made suddenly wasn’t Spring Fresh.
Chrysler Corporation products of the early 1970’s embraced more fully than any other brand of car the intergalactic possibilities and fantasies of Science Fiction in the earthbound chariots they offered to consumers. Going from rectilinear boxes of the 1960’s, Chrysler flooded every sight line with bulbous curves with their new Fuselage look for everything above the Valiant and Dart.
Happy Spring! Here we find ourselves at Spring Equinox of 2017. What better way to celebrate the brightening longer days at this seasonal balance point than a shiny red super stock Dodge? Today’s example is a little bit flashier than the one that The Little Old Lady From Pasadena bought however.
A wing, a prayer, and perhaps some emergency road flares. That encapsulated where Studebaker was by 1962 with their standard passenger car line. Where the innovation of cropping the circa ’53 standard Studebaker down to the Lark in 1959 was a stroke of genius, by 1962 many manufacturers crowded around the special bird to make a feast. No longer was it the only downsized dowager with the pride of a potent V8 engine.
Dynamic Drive 