(Found In) The Tenderloin (San Francisco, California): 1950 Imperial Deluxe Four Door Sedan

image (25).jpegWe’ve spoken earlier about the Imperial Image problem. From the introduction of the brand in 1926 through 1954, it was positioned as the most premium Chrysler. That problematic push towards the glass ceiling of luxury brands always saddled Imperials with the upper middle class respectability of the Chrysler brand. The challenge, alongside sharing a heavy commonality with Chrysler cars, was being accepted as a legit full luxury competitor to Cadillac, Lincoln and Packard.

Compared to early depression era Imperials, the last that feathered flamboyance on buyers, the first Post-War Imperials doubled down on sturdy, stodgy and secure engineering and styling. The Post-War do-it-yourself motto shifted the palate of the most premium Chryslers from limousines towards a push at self-actualized luxury that would lead to Imperial becoming a separate marque by mid-decade.

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(Found In) Hoover-Foster (Oakland,California): 1982 Imperial FS (Frank Sinatra) Edition

image.jpegCelebrity endorsements of products weren’t anything new when morning re-dawn’d in ‘Murica in 1981. However, there was heightened trust put in old white dude celebrities where, perhaps, there shouldn’t have been. We had former actor Ronald Reagan as President that year. Reagan beguiled us with tales (perhaps too familiar 35 years into the future) about using traditional, conservative family values to return America. It was bought by the majority of voters still slumbering in a long term malaise that had dominated most of the 1970’s.

We also had Frank Sinatra providing a little blue light special to a gussied up Cordoba. Using the cachet that a regal name had, Lee Iacocca hoped for a lil’ Black Magic and inspiration to distract potential customers from Mopar’s Bankruptcy woes.

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