Beauty is in the eye of the beholder. Or in the eye of the buyer, I guess. In the twilight zone of the late 50’s, many an automobile brings up the question of what exactly did “good taste” mean in terms of what American car shoppers wanted.
This is where the 1958 Oldsmobile enters into our consciousness. When all is said and done, can you believe that it was one of the most popular faces for ’58? Perhaps entranced by all the sparkling jewelry, we spend time with this glittery gem, figuring out if it was a ghoul or the genteel beast most middle class buyers wanted that year.
What if I proposed to you that the Oldsmobile Cutlass Ciera was the most polarizing car of the last 40 years? I’m sure you’d point out there’s plenty of other cars that deserve a bigger medal in terms of era defining cars but I have some key arguments.
The Vista Cruiser is an interesting detour in the concept of the family hauler. General Motors always struggled a wee bit with the concept of the station wagon (and the minivan and SUV crazes that followed) compared to Ford and Chrysler.
There’s been plenty said and 20/20 hindsighted about the fall of Oldsmobile and the historic brand’s demise in 2004. In reality it was a mixed storm, and an amazing bellwether of where consumer tastes had gone alongside the pursuits of ultimate profits by behemoth corporations.
Although still tied to the Futuramic Ninety Eights that pushed Oldsmobile into the stratosphere of the 1950’s a few years too early, the once again warmed over line topping Rocket Oldsmobiles had plenty of new before they were more fully redesigned for 1954.
Where The Action Is declared ads for the newest Oldsmobile Eighty Eights in more than half a Decade. While there was more magic once you hitched yourself to these new rocket coupes, sedans and convertibles, they held a lot more common with relatives under the General Motors empire as well.
The Oldsmobile Toronado tried time and time again to break the molds of what it meant to be the most premium offering in the middle of the General Motors Hierarchy. Where it initially channeled the elegant grand touring ethos of the Cord 810 upon introduction, it became an off the rack designer clone of the Cadillac Eldorado for its 2nd Generation. That tradition continued through its 3rd Generation as well.
The Oldsmobile Ninety Eight once sat in a rarefied holy trinity at the temple of General Motors opulence. The eldest and the most modest of the trio between the most Senior Buick, the now Electra 225, and the myriad of Cadillac DeVilles and Fleetwoods, the Ninety Eight negotiated for the least of your finances for the most security and the most sensible set of luxury trappings for your dollar.
As Oldsmobile rose to their zenith in the 1970’s, it started to do so by playing musicial chairs with the various marketing images that made for being the toast of the town image that it had fostered since the 1950’s. The Olds-multiplicity of the brand had been a constant mix of practicality, performance and posh since the end of World War II. For the Elegant Ninety Eights there were the Superlative Super 88’s. For the practical F-85 there was the swashbuckling Cutlass. For the sword of intermediates, a crowned princess Supreme started an ascent to the top of the charts like Diana, Mary and Florence starting in 1966.
Caste systems find their function in strict boundaries. If there wasn’t exclusive traits to one station in life, the combination of fear and desire wouldn’t keep products in their proper places. As something that humans have created for each other, we oft find these systems in play in the products humans create as well.
Dynamic Drive 